Monthly Archives: May 2009

Towards a devotional cinema

The camera must give itself completely and wholly to its subject, yet it cannot give itself away to its subject. When a filmmaker is fully and selflessly present, the audience becomes fully and selflessly present. The filmmaker’s physical relationship to the world manifests as the camera’s relationship to the image and becomes the audience’s relationship to the screen. To the degree that a filmmaker can relate directly to the heart of an object, the viewer will also connect directly to the heart of the object. The audience will see the screen as the camera sees objects, and a great unity of heart will take place between filmmaker and audience.

– Nathaniel Dorsky, Devotional Cinema

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Two epochs

Love Streams (1984, John Cassavetes)

L’eau froide (1994, Olivier Assayas)